In it, the author writes that “the high end of digital capture is now the province of the SLR. Take Michael Freeman’s book, Pro Digital Photographer’s Handbook, for example, published in 2005. Most in the industry considered the move to be almost preordained. At the time, there were more cameras with smaller, APS-C-sized sensors, but those models that had a larger sensor size, namely the same as 35mm film or full-frame, were the cameras most prized by professionals and serious photographers for high resolution, better low-light performance and no crop factor. In the new millennium, SLRs continued to be considered the choice for pros, with the difference of moving from film to digital SLRs, or DSLRs. Sony’s a9 full-frame mirrorless camera with the 24-70mm zoom lens. How did this happen? What factors led to this moment? Changing The Game: Three Years Of Disruption In The Camera MarketĪs you might already know, for most of the second half of the 20th century, most serious and pro photographers reached for the single-lens reflex, or SLR, film camera as the tool of choice, for everything from its through-the-lens viewfinder and sturdy build to its quality and performance, since SLRs could be paired with high-quality interchangeable lenses. It’s a rather impressive accomplishment that in just five years since introducing its first two full-frame mirrorless cameras, Sony has edged out Canon and Nikon, particularly since both have been producing full-frame cameras (albeit DSLRs) for more years than Sony. And that’s not just full-frame mirrorless cameras, but all full-frame cameras. According to the market research firm the NPD Group, Sony had beaten Canon in full-frame camera sales during the first six months of 2018. It may also be how Sony was able to lead the mirrorless-camera market earlier this year. The Sony a77 II, an example of an SLT camera, which includes a stationary translucent mirror. It’s why some pros have also begun to consider making the switch to Sony’s full-frame mirrorless system. The positive experience Mills had shooting with the a9 doesn’t seem to be unique. He also said the a9 had fantastic quality. That can help him capture so much more action, like when he’s “chasing somebody around the Hill, like Robert Mueller in the hallway, and you’re running up and down the steps and trying to find him.” At such moments, Mills said, he may have only a few seconds, and capturing more frames is important. “It can fire up to 20 frames a second, which is twice what I was using before,” Mills said. “I remember saying to one of the technicians, this is a game changer.” For example, shooting silently is imperative for Mills in the Oval Office. “I’ve been a Canon photographer for 30 to 35 years,” he said in the C-SPAN video. Sony’s “entry-level” full-frame mirrorless camera: The a7 III.īut why change now? Part of it was the silent-shooting capability. What’s more is that Mills had, for many years, been a faithful Canon DSLR shooter. It was a striking comment from a very prominent pro shooter. “It was the first time I’d ever seen the number ‘45’ embroidered on his sleeve,” said Mills about the president. But during the meeting, Mills noticed something unusual. During the near-hour-long meeting, Mills and a number of other photojournalists from other media outlets were going about their routine tasks of photographing the commander in chief. During the interview, Brian Lamb, journalist, founder and former CEO of the cable and satellite television network, talked with Mills about his method of covering the news, politicians, press conferences and others events that take place in the nation’s capital.ĭuring the interview, Lamb asked Mills about a closeup photo he shot during an immigration meeting Mills and other Washington, D.C., photojournalists had taken part in with President Donald Trump. In January of this year, veteran New York Times photographer Doug Mills, who has shot for the newspaper’s Washington, D.C., bureau since 2002, appeared on C-SPAN to discuss various aspects of his photography. This exploded-view display of the Sony a7R was on display in the Sony booth during the 2014 Consumer Electronics Show.
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